This is a 78 inch four-frame panorama from my recent trip to Santa Fe. 100-400 Sony GM, Sony a7R3, Lr 6, Ps CS6.
This is a 44 inch two-frame panorama from my recent trip to Santa Fe. The trip was a lot of fun. I went to work with Stan Klimek, a great and dedicated platinum printer working on Keron Psillas’ new high end publication. I also had the absolute privilege of working on a couple of Sally Mann files for for a project Stan is doing for her. Exciting trip!
100-400mm Sony GM, Sony a7R3, Lr 6, Ps CS6.
Sea stack, I guess it is, off the west coast of the Olympic Peninsula near the mouth of the Quillayute River. This is a 45 inch, two-frame panorama.
80-200mm Leica Vario-Elmar R, Sony a7R3, Lr 6, Ps CS6.
I shot this last year about this time, and struggled with it on and off since. Now, finally, I am about ready to print it. It is a two frame panorama, final size at 360 ppi is 36 inches wide.
10/30: I couldn’t stop. Here is the revise, version 30 something. I AM PRINTING IT NOW. FULL SIZE. NO MORE EDITS!
This is the shot that convinced me that I better find something other than Canon lenses to shoot on my Canon body, hence the Pentax medium format and Carl Zeiss lenses that I use now. But as it turns out, the body itself is responsible for some of the problems—Canon’s now legendary quality control coupled with their crack service center in New Jersey. Now I’m convinced I better find another full frame camera manufacturer. Come on Sony, release an A950 that has live view! —my opinion based on my experience. Your milage might vary.
Two frames, 70-200mm Canon ƒ4L, Canon 5D Mk II, Raw Developer, Ps CS 3 and Ps CS 5.

There’s that darn bridge again. A two frame 40 inch assembly.
Canon 5D Mark II, 75mm Pentax 645-A, Aperture 3.0, Photoshop CS5.

Antietam National Battlefield. This is a two frame assembly. Printed at its intended size it will be 40 inches wide.
Canon 5D Mark II, 75mm Pentax 645-A, Aperture 3.0, Photoshop CS5.