Posts Tagged: eastern red cedar

Crossroads – Two Versions

Exposed in 2020, processed in 2021.       25mm Zeiss Loxia, Sony a7R4, Lr C10, Ps CC22.

Crossroads

Bush honeysuckle (invasive, non native) and redcedar, Juniperus virginiana (native).      50mm Voigtlander APO Lanthar, Sony a7R4, Lr C10, Ps CC22.

Red Cedar and Broomsedge

Juniperus virginiana and Andropogon virginicus.     35-70mm Zeiss Vario-Sonnar CY, Sony a7R4, Lr C9, Ps CC21.

Red Cedars

Juniperus virginiana.                28-90mm Leica Vario-Elmarit R, Sony a7R3, Lr C9, Ps CC21.

Black Locust and Red Cedar

Robina pseudoacacia and Juniperus virginiana at the Crossroads.                   24-105mm Sony G, Sony a7R4, Lr C9, Ps CC21.

Red Cedar – Study 3

Juniperus virginiana, at the Crossroads.     24-105mm Sony G, Sony a7R4, Lr C9, Ps CC21.

Red Cedar – Study 2

Juniperus virginiana, at the Crossroads.     24-105mm Sony G, Sony a7R4, Lr C9, Ps CC21.

Red Cedar – Study 1

Juniperus virginiana, at the Crossroads.     24-105mm Sony G, Sony a7R4, Lr C9, Ps CC21.

Red Cedars

Juniperus virginiana.   110mm Voigtlander APO Lanthar, Sony a7R3, Lr C, Ps CC.

Schoolhouse Ridge South

Schoolhouse Ridge is in Harpers Ferry National Historical Park. A Civil War battle was fought here. But my interest has more to do with forest regeneration and the photographic opportunities this presents. The tree in the foreground is a young eastern red cedar, Juniperus virginianna. The common name is a bit misleading since it is not a cedar, but a juniper. Nonetheless, it is the wood cedar chests are lined with and pencils were made from once.

Not many large red cedars are in this part of the country now because of a concerted effort to wipe them out, I believe shortly after the Civil War. The red cedar is a necessary alternate host for the apple cedar rust and this area has been orchard country for a long time.

This image is another in a series made with lenses at their maximum aperture, in this case ƒ2. I am intrigued by the softer presentation so created. It is a nice alternative to the crisp hyper-realism I have been caught up with since I started photographing in the 60’s. Now in the digital era it can be too much, too dry, leaving not much room for the imagination.

50mm Zeiss Makro-Planar ZF.2, Nikon 800e, Lr4, Ps CS6.