Rock face in the pass with sitka spruce and invasive gorse.
80-200mm Leica Vario Elmar R, Sony a7R3, Lr 6, Ps CS6.
Along the low-way at Ebey’s Landing, Whidbey Island, Washington.
25mm Zeiss Loxia, Sony a7R3, Lr 6, Ps CS6.
Fort Washington overlooks the tidal Potomac. It was built around 1800 to guard the river approach to Washington DC. It is one of a number of old forts that ring Washington.
28mm Sony FE, Sony A7r2, Lr 6, Ps CS6.
Mumma Farm barn, sunset, Antietam National Battlefield. 135mm Zeiss Sonnar CY, Sony A7r2, Lr 6, Ps CS6.
This image fascinates me, not because it is a particularly good image (it isn’t), but I really like looking at the rendering of the water. As usual I have to beg off a little because at this size you only can get a slight suggestion of what is going on (it looks mushy to me at this size, ~12%). There is surface… everywhere streaks, splashes, bubbles, gurgles. At any size 25% and up it looks downright painterly. At 50%-100% I can get lost in it. I will have to make a large print one day.
Technically it is a bit of a mystery. I shot this at either f22 or f32 (not sure which) but instead of it turning to fuzzy mud it is all surface. Was it the speed of the water? The turbidity? f22-32? A special quality of this lens? I don’t know.
100-300mm Zeiss Vario-Sonnar CY, Sony A7r2, Lr 6, Ps CS6.
I expect this is one few will find compelling. When I say I have been working toward this for over forty years I mean it. Someday I will have an exhibit of just these, the most personal of images. I have made only a handful of them over the years.
21mm Zeiss Loxia, Sony A7r2, Lr 6, Ps CS6.